As a program annotator, I write about classical music for symphony orchestras, chamber ensembles and solo artists. I have written about composers and repertoire ranging from the early Baroque period to brand new world premieres and everything in between.
My goal is to provide a deeper understanding of the music and helpful insights that allow listeners to approach each piece with excitement and open ears. I specialize in writing program notes that are appealing and accessible to a wide audience, whether they are new to classical music or life-long enthusiasts.
Program notes come in all shapes and sizes. I have experience writing 1,500-word programs that dive into historical context with special “what to listen for” segments as well as 50-word descriptions for digital programs that appear on listener’s cellphones.
My goal is to provide a deeper understanding of the music and helpful insights that allow listeners to approach each piece with excitement and open ears. I specialize in writing program notes that are appealing and accessible to a wide audience, whether they are new to classical music or life-long enthusiasts.
Program notes come in all shapes and sizes. I have experience writing 1,500-word programs that dive into historical context with special “what to listen for” segments as well as 50-word descriptions for digital programs that appear on listener’s cellphones.
Marketing Blurbs
I also write marketing copy for symphony-orchestra season brochures, website content and email campaigns. I offer short, well-crafted concert descriptions that grab attention and spark interest.
I also write marketing copy for symphony-orchestra season brochures, website content and email campaigns. I offer short, well-crafted concert descriptions that grab attention and spark interest.
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Past and current clients include:
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“We enjoy having you write for us. Your copy is always super clean, elegant, descriptive, and always on time, if not early.” - Leilani Dougan, Publications Manager, Seattle Symphony Orchestra |
